Sources and Further Reading

 

Anger, K. (1991) ‘Hollywood Babylon’ Arrow (contemporary quote not sourced)

Variety Magazine quoted by Brooks, X. ‘Sound Cinema’ in The Big Issue March 30 1998

Bean, R and Austen, D. (1968) ‘USA Confidential Films and Filming 215 November 1968 quoted by Maltby, R. (1995) ‘Hollywood Cinema’ Blackwell

Bordwell, D (1996) in Nowell-Smith, G. (ed) (1996) ‘The Oxford History of World Cinema’ Oxford University Press

Cook, D.(1996) ‘A History of Narrative Film’ W.W.Norton and Company

Castleden, R. (1994) ‘The Concise Encyclopedia of World History’ Paragon

Chanan, M. (1996) Cinema in Latin America in Nowell-Smith, G. (ed) (1996) ‘The Oxford History of World Cinema’ Oxford University Press

Cook, D. (1996) ‘A History of Narrative Film’ W.W.Norton and Company

Dixon, W. 'The Films of Jean-Luc Godard' State University of New York Press

Drinkwater, J. (1931) ‘The Life and Adventures of Carl Laemmle’ G.P.Puttnam’s Sons quoted in

The Internet Movie Database Ltd 1990-1998

Ellis, J.C. (1995) ‘A History of Film’ Prentice Hall

Finler, J. (1977) ‘All Time Movie Favourites’ Cathay Books

Gau, J. and Bilbow, T. (1995) ‘Lights, Camera, Action !’ Little, Brown and Company

Gianetti, L. (1996) ‘Understanding Movies’ Prentice Hall

Gomer, D. (1996) ‘Transformation of the Hollywood System’ in Nowell-Smith, G. (1996) ‘The Oxford History of World Cinema’ Oxford University Press

The Internet. The Disney Studios homepage

Jacobs, L. (1967) ‘The Rise of the American Film’ Teachers College Press

Jacobs, L. Winter 1967- 68 'World War ll and the American Film Cinema' Journal 7, 2. Quoted by Cook, D.

Johnson, J (1916) Photoplay December 1916, in Jacobs, L. (1967) ‘The Rise of the American Film’ Teachers College Press

Kemp, P (1996) Alexander Korda in Nowell-Smith, G. (ed) (1996) ‘The Oxford History of World Cinema’ Oxford University Press

Knight, A. (1957) ‘The Liveliest Art’ Mentor

Leyda, J. (1960) ‘Kino: A History of Russian and Soviet Cinema’ George Allen and Unwin quoted in Cook, D. (1996) ‘A History of Narrative Film’ W.W. Norton and Company

Lant, A (1996) Britain at the end of the Empire in Nowell-Smith, G. (ed) (1996) ‘The Oxford History of World Cinema’ Oxford University Press

Maltby, R. (1995) ‘Hollywood Cinema’ Blackwell

Maltin, L. (1995) ‘Movie and Video Guide’ Signet

Méliès, G. 1900 quoted in Jacobs, L. (1967) ‘The Rise of the American Film’ Teachers College Press

Musser, C. (1999) Time After Time in ‘Sight and Sound’ March 1999

Moritz, W. (1996) ‘Animation’  in Nowell-Smith (1996) ‘The Oxford History of World Cinema’ Oxford University Press

Routt, B. (1996) The Emergence of Australian Film in Nowell-Smith, G. (ed) (1996) ‘The Oxford History of World Cinema’ Oxford University Press

Scheuer, S. (1974) ‘The Movie Book’ Ridge Press

Seldes, G. (1924) ‘The Seven Lively Arts’ Harper and Bros. quoted in Jacobs, L. (1967) ‘The Rise of the American Film’ Teachers College Press

Terlin, R. (1935) ‘You and I and the Movies’ Women’s Press, quoted Jacobs, L. (1967) ‘The Rise of the American Film’ Teachers College Press

Vincendeau, G. (1996) ‘The Popular Art of French Cinema’ in Nowell-Smith, G. (ed) (1996) ‘The Oxford History of World Cinema’ Oxford University Press

Wells, P. ‘Animation: forms and meanings’ in Nelmes, J. (1996) ‘An Introduction to Film Studies’ Routledge

Wyver, J. (1989) `The Moving Image: An International History of Film, Television and Video’ BFI/Basil Blackwell

Zavattini (1970) quoted in Cook, D. pg 1012 (1996) ‘A History of Narrative Film’ W.W.Norton and Company